Encyclopedia of Syriac chants
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B
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B
- B’éda d’yāwmān [On this festival day]
- B’endān saprā [In the morning]
- B’had min yāwmin (On one of the days)
- Badnahaym sapra lakumariyashheenan
- Bar Maryam [Son of Mary]
- Barek Maar (Bless O Lord)
- Baslos Kene / Marthyanu Raksha Pakarnnawane
- Breek Hayla Kasyadashrabgarmayhon (Friday Sapra)
- Breekeethon
- Brīk hannānā¯ [Blessed is the merciful one]
- Brikitho l'Marya
- Briku Rambuku Marya
- Brukshe Dalaha (Benediction)
- Bsapra sahade lkethala (Mariya sapra theshmakal - Saturday sapra)
C
F
G
J
K
-
K
- Kuriyelaison (Litany)
- Common article part for Oshana / Hosana / Kadqaayen Syriac chants
- K’ţāwā rambā - The great book
- Kadkrew Maaran
- Kadmaskinan
- Kadqaayen (Oshana / Hosana / Holy Holy)
- Kahana ma adsea
- Kandiśā alāhā (Qandiśā alāhā )
- Kārōsūsā
- Kollan daśnē - Let us all offer
- Kyanaya: the Impromptu Mode of Melody Making in Syriac
M
-
M
- Maryam b'sultha
- M’haymneenan
- M’Samsana d'awdi
- M’siha Alahan
- Manay Hade Mruthiyute kotutham kottakalellam
- Mār Wālāh
- Maran Iso
- Marayor paawe
- Maria Alaah
- Marth Mariam thuwaaneesaa
- Marya kohon hawbai
- Mārya kolhōn hāwbai - Lord, all my faults
- Mawhawsa
- Misiha Paroqe d'alma Karthawu mahathwathote Bharikkunnu
N
-
N
S
-
S
- Sagdinan mar
- Sahade kandeeshe malpanedhaymanutha (Wednesday Sapra)
- Sahade Vaython thaggare (Tuedsay Sapra)
- Śambah l’māryā - Praise the Lord
- Śambah leśān - Praise my tongue
- Sambah sandiqe
- Sapra (The morning prayers)
- Shlama sahade valgarmaygon (Thursday Sapra)
- Ślām lēk maryam (Hail to you Mary)
- Slam lek maryam (Huthamma)
- Ślāmā w’saina
- Slīwā dahwā lan - The Cross that became for us
- Slosak Avoon Thehvelan
- Slotha
- Slotha Daslothe
- Sma Aalaha
- Sma mar bkhaalaa daslosan
- Suwha l’awaa - Commemoration hymn
- Šūwhā Lēh
V
X
Z
പുക് ദാന്കോൻ
Puqdaanakon
| CMSI Ref Number | CMS-101-0038 |
| Title | Puqdaanakon |
| Category | |
| Text | |
| Liturgical Context |
Transliteration and Translation (Malayalam)
| Text in Syriac | Transliteration (Malayalam) | Translation (Malayalam) |
 |
 |
 |
| Courtesy - Joseph Thekkedath Puthenkudy |
Transliteration & Translation (English)
| Text in Syriac | Transliteration (English) |
| |
Puqdānkōn
Puqdānē(h) damšīhā |
| Courtesy - Joseph Thekkedath Puthenkudy |
Aramaic Project Videos
| S.No | Artist | Youtube Link | Aramaic Project Number | Notes |
| 1 | Major Archbishop Cardinal Alencherry | Video | 65 | |
| 2 | George Thaila with the Choir Members | Video | 65A | |
| 3 | Ukranian Catholic Cathedral, Central London | Video | 136 | |
| 4 | Mar George Cardinal Alencherry | Video | 60 | |
| 5 | Fr. Mathew Mattam. | Video | 62A | |
| 6 | Fr. George Plathottam | Video | 70B | |
| 7 | Dr. Joseph J. Palackal with the Choir Team | Video | 132A | |
| 8 | St. Jude Syro Malabar Church, N. Virginia, USA | Video | 95 | |
| 9 | Dr, Jacob Vellian | Video | 80A | |
| 10 | Fr. Paul Kodamullil | Video | 3E | |
| 11 | Rev. Fr. Varghese (Saji) Mattathil | Video | 100 | |
| 12 | Fr. Augustine Kandathikkudyil | Video | 96 | |
| 13 | St. George Syro Malabar Catholic Church in Paterson, New Jersey, USA. | Video | 104 | |
| 14 | Dr. Joseph J. Palackal | Video | 136A | |
| 15 | Dr. Joseph J. Palackal, CMI | Video | 108 | |
| 16 | Dr. Joseph J. Palackal | Video | 118 | |
| 17 | Fr. Probus Perumalil, CMI | Video | 119 | |
| 18 | Fr Cyril Thayyil | Video | 122 | |
| 19 | Dr. Joseph J. Palackal | Video | 108 | |
| 20 | Dr. Joseph J. Palackal | Video | 135 | |
| 21 | Fr. George Plathottam Co-Singers- Fr. Thomas Thayyil, Fr. Joseh Kizhakekkuttu | Video | 140F | |
| 22 | Dr. Joseph J. Palackal , Eliee Hayes and Gabriela Gonzalez | Video | 153 | |
| 23 | Bishop Joseph Kallarangatt | Video | 155 | |
| 24 | Fr. Cyril Thayyil | Video | 156 | |
| 25 | Dr. Joseph J. Palackal | Video | 162 | |
| 26. | Fr. Varghese ( Saji) Mattathil | Video | 165 -1 | |
| 27. | Fr Paul Kodamullil | Video | 172 | |
| 28. | Dr. Joseph J. Palackal CMI | Video |
191 | |
| 29. | Bishop Thomas Tharayil | Video | 201 | |
| 30. | Bishop Thomas Tharayil | Video | AP 210 |
Copyright
Copyright: Christian Musicological Society of India. Do not use any part of this article without prior written permission from the Christian Musicological Society of India. For permission please send request to This email address is being protected from spambots. You need JavaScript enabled to view it.
